Signs of Life 3d

Three pieces of stone embedded concrete that formed the foundations of a home that was demolished.

Work in progress…..

These objects are of particular interest to me as they are sculptural, have a wonderful contrast with the stones against the concrete and steel. I felt that the energy inside these objects and the life that happened on them was still contained inside them.

Sketching them in charcoal helped me to look at them a little more.

I made some impressions in the clay. This led me to think about the energy as they were forced into the air to become the rubble, forcing them into the clay. I did not at this stage want to reproduce them, just explore their shape form and texture as I considered the next step in capturing their energy.

I filmed the objects moving and still and thought about the science of the energy being displaced around them.

I rearranged the objects to photograph and sketch. Putting together each item and imagining its history – a floor painted and a light fitting that could have been used by generations, wall ties that held the house together.

Making the space negative by filling it with clay then the objects In the space are part seen and exist in a 3d shape. All related to the objects from the house. Displaying  the entropy of each object The glass – seeing the before and after. To put the objects together is to disrupt the entropic process, speed it up or slow it down.

I will explore the space in and around the object and find methods of making work which help to maintain the object not encase it. This plays a part in the narrative of the object and it’s existence. It holds an energy and history of human life from the demolished house, it has a place in time as it exists in an imaginary funnel as it has a beginning middle and end.

Published by babssmithart

My work considers the significance of scientific imagery as metaphors for human existence. I draw from both the microscopic and scientific images in a micro to macro process of making. I believe this brings a subconscious connection through which we can communicate. Scientists agree that everything is energy, and everything is connected. I feel this passionately in my work and indeed my life. In my work I am exploring the crystallisation of tears as a process that occurs beyond our sight but once demonstrated it forms a portal to communicate with the viewer on a subconscious level. Ideas come from momentary human interactions such as the response to Voyagers iconic blue dot image which began my journey into the study of the human visceral response of crying and the crystallisation of tears. I have developed the memory of a rock climb into a sculpture and a tear into a tactile object that sits in the hand. As a multidisciplinary artist my choice of medium is key to resolving the work. I develop subjects often through print processes to ultimately create sculpture. I use many different materials such as paper, metal, Perspex and resin, often pushing them to breaking point as I explore their connection with narrative further. The process becomes the art, it is not always aesthetically pleasing but it is a direct result of my practice. The end result morphing into a piece of work that I could not have envisaged at the start of the process.

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